The word timba was first a compliment from rumba: a timbero was a good musician. Around 1988 it became the name for a new music; among others José Luis "El Tosco" Cortés, leader of NG La Banda, claims to have been the first to use it that way.
The main precursors are Los Van Van and Irakere from the 1970s. In 1989 NG La Banda recorded En la calle, considered by many the first timba album, and was among the first bands to standardize gears and song-specific piano tumbaos.
In the Special Period of the early 1990s, the severe economic crisis after the fall of the Soviet Union, timba became the music of Havana's nightlife. Cuba opened up to tourism, which gave timba a wider audience.
- Drum kit: almost every timba band has a drummer; bands with a timbalero add a kick drum.
- Bass: no fixed pattern as in salsa, but a tumbao that belongs to the song. The bassist sometimes stops completely, as in the presión.
- Piano and keyboard: song-specific tumbaos; synthesizers are common.
- Horns: fast, sometimes bebop-influenced, reaching the extreme ranges.
- Improvisation: singers, horns and rhythm section improvise freely.
More about the building blocks under Timba elements.
A handful of bands shaped the sound of timba. Here they are by period.
Precursors
- Los Van Van (1969) – Juan Formell's band, which developed songo. The most popular band in Cuba since 1969, and itself one of the major timba bands.
- Irakere – Chucho Valdés's band, known outside Cuba mainly as a Latin jazz band. It mixed Afro-Cuban rhythms with son and jazz; José Luis "El Tosco" Cortés came from here.
The 1990s
- NG La Banda – usually considered the first timba band, with En la calle (1989). Five members came from Irakere, including El Tosco and the entire horn section, the metales del terror.
- Charanga Habanera – the debut album Me sube la fiebre (1992) started the "timba explosion". The band dominated the scene until the original line-up broke up in 1998.
- Manolín, El Médico de la Salsa – discovered by El Tosco at medical school. His popularity was compared to Beatlemania.
- Paulito FG y su Élite – with Issac Delgado and Manolín, Paulito was one of the three top singer-bandleaders of the 1990s. He called gear changes on the spot.
- Manolito y su Trabuco – Manolito Simonet's band, with strong singers. Singer Ricardo Amaray's R&B influences got a Cuban sound through Simonet's arrangements.
- Bamboleo – led by pianist Lázaro Valdés Jr., with R&B and jazz fusion. With hand signals the band builds bloques on the spot.
- Klimax (1995) – the band of drummer and songwriter Giraldo Piloto, who also wrote Me sube la fiebre for Charanga Habanera. The most harmonically original of them all.
After 2000
- Pupy y Los que Son Son (2001) – the band of pianist César "Pupy" Pedroso, after more than thirty years with Los Van Van. It seeks a balance between son and timba.
- Havana D'Primera (2007) – the band of trumpeter and singer Alexander Abreu, one of the most important bands of today's timba.