Mi musica - Havana 'd Primera
Mi Musica, a timba anthem, has as many as 5 presion parts
use Original or Ian Stewart on bass
Some timelines for confirmation of correctness.
Mi Musica, a timba anthem, has as many as 5 presion parts:
1:59-2:10, 2:58-3:11, 3:40-4:02, 4:30-4:52, and 5:10-5:33
source
- 1:58 presión (Kevin said that if the conguero does a simple no-tone pattern it's still presión not masacote)
- 2:58 presión with efectos
- 3:39 - big presión with efectos for 4 claves
- 3:50 - congas come in at the 5th clave so now it's masacote
- 4:30 - masacote ends with cool bloque
- 5:10 - masacote that increases in intensity with each clave until it has heavy congas by the end
source
Here's Osbanis dancing to Mi música.
He does a lot of rumba stuff but also some despelote.
What is also interesting here is to see how he marks the efectos as well.
That is something you get a lot more of in Cuban music than in regular salsa and it is really cool when people do something about it and don't just ignore it.
source
bassist and timba expert Ian Stewart playing Mi musica
ianstewartbass.com
From 2:00 to around 3:40, the band plays a repeating montuno groove: the bass performs a tumbao pattern, while the band stays in the traditional “marcha”.
Around 3:40 and onward, Stewart introduces the first gear cycle: the bass shifts from tumbao to a syncopated pattern. The band follows along – this adds energy and variation: classic timba.
Live
Lyrics
https://www.timba.com/artist_pages/letra-mi-musica
Cuban rumba is an Afro-Cuban music and dance genre characterized by complex rhythms, call-and-response vocals, and expressive, often flirtatious movements, rooted in African and Spanish traditions.
Lees meer >Timba gear family characterized by the absence of a bass tumbao, the absence of a conga marcha, and usually the absence of bells. The building of musical intensity and drive, often created through layered rhythms, bloques, and dynamic changes that push the energy higher.
Lees meer >Rhythmic breaks or unison hits played by the whole band, often interrupting the flow to create surprise and tension. These are choreographed and add drama, excitement, and syncopation.
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Interruptive role: The bloque is a sudden, tightly coordinated rhythmic break. It disrupts the ongoing groove (tumbao, coro, or guías).
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Cue for change: Right after the bloque, the band often launches into a new “gear” (a new rhythmic feel, coro, or piano tumbao). In this sense, the bloque
Lees meer >Gear changes, or "cambios de marcha," in Timba are particularly thrilling elements that contribute to the genre's dynamism and energy. These changes are essentially shifts in rhythm, tempo, or even in the music's texture that inject excitement and often encourage dance floor responses. They are used strategically throughout a song to create tension and release, keep the audience engaged, and highlight the musicians' versatility and creativity.
Lees meer >In timba (a Cuban music style related to salsa, but with stronger influences from funk,
Afro-Cuban rhythms, and jazz), a " masacote" typically refers to a powerful, rhythmic burst in the music.
It’s a short, intense moment where the instrumentation – especially the rhythm section – becomes extra groovy, syncopated, or funky.
Lees meer >The largo, canto, or verse, is where the lead vocalist sings the main lyrical content of the song.
In Timba, the canto often contains a narrative or thematic element and is supported by the rhythm section and background vocals.
Lees meer >The conclusion of the song, which often mirrors the intro or brings the song to a close with a final statement by the band.
Lees meer >Introducción
This is the opening section of the song, which sets the mood and introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
This section is characterized by a more open and interactive part of the song, where there is a dialogue between the vocals and the instrumentalists, leading to a more improvised feel. The montuno is typically built on repetitive piano and bass patterns and may include call-and-response singing.
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The clave is a fundamental rhythmic pattern and organizing principle in Cuban music. It serves as both a musical pattern and a guiding concept, deeply rooted in Afro-Cuban traditions.
Lees meer >Timba, the explosive and rhythmically rich genre of Cuban dance music, transformed how the bass functions in popular music. In Timba, the bass is not just foundational — it’s fiery, funky, and free.
Lees meer >