Songo
Songo is a Cuban music and dance style that emerged in the late 1960s and early 1970s. It bridges Afro-Cuban rhythms with modern influences like funk, rock, and jazz.
Origins
- Developed by Los Van Van, led by bassist Juan Formell and drummer/percussionist José Luis "Changuito" Quintana.
- Evolved as a modernization of son, rumba, and other Cuban traditions, using new rhythmic concepts and instrumentation.
Rhythm
- Built on Afro-Cuban clave, but more flexible than traditional son or mambo.
- Drum set became central, blending with congas, timbales, and bongos.
- Changuito pioneered "timba drumming," mixing funk backbeats with Cuban tumbaos and cascara patterns.
Musical Features
- Syncopated electric bass lines (instead of upright bass).
- Use of synthesizers and electric instruments alongside traditional percussion.
- Call-and-response vocals, horn riffs, and a strong dance feel.
Dance
- The songo dance is freer than older Cuban dances.
- Features hip movements and steps influenced by rumba and son but looser, designed for the groove-heavy feel of the music.
Influence
- Laid the foundation for timba, the dominant Cuban dance music style from the 1990s onward.
- Influenced salsa, jazz fusion, and contemporary Afro-Latin music worldwide.
Mambo
In Cuban music, especially in salsa and son,
the " mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.
Mambo
In Cuban music, especially in salsa and son,
the "mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.

A pair of small drums played with fingers and palms.
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