Yambú
- Oldest of all, Late 1800s
- Clave blanco ( Son clave used in yambu)
- Originated in urban areas of Matanzas and Havana
- Not related to religion
- A form of collective culture
Structure
- Intro / diana
- Exchange between singer and choir/coro "lalaleo"
- Altogether "el estrebillo" ➞ part where you dance ( explain el estrebillo )
Rumba - Yambú - Tiempo de España - María Belén
Rumba is the most African-rooted of all Cuban music and dance forms — born in the streets, courtyards, and docks of Havana and Matanzas in the late 19th century, with no European instruments, no salon setting, and no pretense of European propriety.
Lees meer >Rumba is the most African-rooted of all Cuban music and dance forms — born in the streets, courtyards, and docks of Havana and Matanzas in the late 19th century, with no European instruments, no salon setting, and no pretense of European propriety.
Lees meer >The following dances have their origin in Matanzas:

The clave is a fundamental rhythmic pattern and organizing principle in Cuban music. It serves as both a musical pattern and a guiding concept, deeply rooted in Afro-Cuban traditions.
Lees meer >A vocal improvisation or melodic gesture, sometimes used to transition between sections, often marking the move into the montuno or to reintroduce energy.
Lees meer >Introducción / Diana
This is the opening section of the song, which sets the mood and introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.