Tumba francesa is music and dance that French colonists and their enslaved people brought to eastern Cuba after the Haitian Revolution: West African music, mainly from Congo and Dahomey, combined with French salon dances. UNESCO recognised it in 2003 as a masterpiece of intangible heritage.
After the Haitian Revolution (1791–1804), French colonists settled with their enslaved people in Guantánamo and Santiago de Cuba. On the coffee plantations, the enslaved adopted "aristocratic" influences from their masters, such as the French contredanse. They first held their celebrations on the coffee drying floors; later sociedades arose, organised on the model of the French nobility, with a "king" or president and a queen. The word tumba is Congolese and means "party".
The women dancers wear long dresses and colourful headscarves, with necklaces and fans; the men wear white shirts and trousers. The instruments are the catá, the premier (the largest drum), the bulá and the second (together the tumbas), the tamborita and the chachás.
Three sociedades remain: La Caridad de Oriente in Santiago de Cuba (since 1862, first called Lafayette), La Pompadour (Santa Catalina de Riccis) in Guantánamo (since 1902) and Bejuco in Sagua de Tánamo (Holguín).