Son-montuno
A more developed style (Arsenio RodrĂguez in the 1940s), emphasizing call-and-response, montuno sections, and heavier rhythm â this is the direct ancestor of salsa.
Instruments:
- Tres (often electric or more percussive style)
- Piano (replacing or joining guitar for harmony and âtumbaosâ)
- Double Bass
- BongĂł
- Congas (a standard addition now)
- Claves
- Maracas & GĂźiro
- Multiple Trumpets (or full brass section)
đ Larger conjuntos (bigger ensembles), strong rhythm section.
Dit gedeelte wordt gekenmerkt door een meer open en interactief deel van het lied, waar er een dialoog is tussen de zang en de instrumentalisten, wat leidt tot een meer geĂŻmproviseerd gevoel. De montuno is typisch gebouwd op repetitieve piano- en baspatronen en kan call-and-response zang bevatten.
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The gĂźiro is central to danzĂłn, cha-cha-chĂĄ, son, and salsa, and is a standard feature of charanga orchestras that popularized Cuban dance music in the 20th century.
Lees meer >The Spanish guitar arrived in Cuba with the colonizers and became the seed of Cuban music, blending with African rhythms. From inspiring the tres to shaping son, conjuntos, and even modern timba, its influence runs through every note of Cubaâs musical history.
Lees meer >Timba, the explosive and rhythmically rich genre of Cuban dance music, transformed how the bass functions in popular music. In Timba, the bass is not just foundational â itâs fiery, funky, and free.
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