Timbales
History
Timbales were introduced in Cuban danzón during the late 19th century.
Here’s how it happened:
- The earliest danzón was played by orquestas típicas, which used heavier European-style timpani and military-style percussion.
- Around the 1870s–1880s, these large drums were replaced by the pailas criollas (what we now call timbales). They were lighter, more agile metal drums better suited for Cuban dance rhythms.
- This innovation helped shape the charanga francesa ensemble (flute, violins, piano, bass, güiro, timbales), which became the standard for danzón, danzonete, and later chachachá.
👉 So, the timbales first entered Cuban music through danzón and then became central to many genres afterwards ( mambo, salsa, songo, timba).
National dance of Cuba, evolved from danza.
Lees meer >
The güiro is central to danzón, cha-cha-chá, son, and salsa, and is a standard feature of charanga orchestras that popularized Cuban dance music in the 20th century.
Lees meer >Origins
Inventor: Bartolomeo Cristofori (1655–1731), an Italian instrument maker in Florence.
Date: Around 1700, Cristofori built the first instrument he called a “gravicembalo col piano e forte” — meaning harpsichord with soft and loud.
Lees meer >Timba, the explosive and rhythmically rich genre of Cuban dance music, transformed how the bass functions in popular music. In Timba, the bass is not just foundational — it’s fiery, funky, and free.
Lees meer >Dances
- Danzón – The quintessential Cuban ballroom dance, elegant and formal, often seen as the "national dance of Cuba."
- Danzonete – A sung variant of danzón that became popular in the 1920s–30s.
- Cha-cha-chá – Created in the 1950s by Enrique Jorrín while playing with a charanga; specifically designed for charanga orchestras.
- Pachanga – A playful dance and rhythm from the late 1950s/early 1960s, closely linked to charanga bands.
- Mambo (in its earlier Cuban form) – Before the big-band New York mambo, charangas also played early mambo-style danzones.
- Charanga is a Cuban ensemble style and musical tradition that dates back to the early 20th century. It became especially popular in the 1940s–50s and played a crucial role in the evolution of salsa, timba, and Latin jazz.
Lees meer >Mambo
In Cuban music, especially in salsa and son,
the " mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.
- Son traditional
- Son urbano
- Son montuno
- Son moderno.
Lees meer >Mambo
In Cuban music, especially in salsa and son,
the "mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.
Mambo
In Cuban music, especially in salsa and son,
the " mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.
- Son traditional
- Son urbano
- Son montuno
- Son moderno.
Lees meer >Mambo
In Cuban music, especially in salsa and son,
the "mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.
