Me Mantengo - Los Van Van
Van Van is sort of a special case in that they sometimes use gears and sometimes not. Here is Me mantengo for example.
0:00.0s
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[0:00-0:15] Intro video
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[0:15-0:55] Charanga
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[0:55-1:19] marcha abajo (cƔscara, no bells, bass playing some kind of tumbao)
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[1:19-1:49] Charanga
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[1:49-2:12] Marcha abajo
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[2:12-2:24] Charanga
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[2:24-3:05] Coro 1 - Marcha arriba (bells, bass playing some kind of tumbao)
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[3:05-3:12] Bridge - special section to transition
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[3:12-4:29] Coro 2 - Marcha arriba (bells, bass playing some kind of tumbao)
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[4:29-4:57] Masacote gear - bass drops out piano and toms playing maybe congas too? (this is a timba gear because the bass drops out)
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[4:57-5:42] Ending, subtitles.
timberamayor:
Van Van is sort of a special case in that they sometimes use gears and sometimes not. Here is Me mantengo for example. In Kevin's terminology the marcha gears are the ones used both in timba and salsa.
I tried to set the timestamps after the video times not the album so you need to subtract about 14 seconds if you are listening to the CD plus I think they cut one section in the video.
- 00:15-00:55 charanga (note the use of the cha bell)
- 00:55-01:19 marcha abjao (cƔscara, no bells, bass playing some kind of tumbao)
- 1:19-1:49 charanga
- 1:49-1:57 marcha abajo
- 2:12-2:24 charanga
- 2:24 coro 1 - marcha arriba (bells, bass playing some kind of tumbao)
- 3:05 puente - special section to transition
- 3:12 coro 2 - marcha arriba (bells, bass playing some kind of tumbao)
- 4:30 masacote gear - bass drops out piano and toms playing maybe congas too? (this is a timba gear because the bass drops out)
source
Lyrics
https://www.musica.com/letras.asp?letra=1851608&utm_source=chatgpt.com
Charanga is a Cuban ensemble style and musical tradition that dates back to the early 20th century. It became especially popular in the 1940sā50s and played a crucial role in the evolution of salsa, timba, and Latin jazz.
Lees meer >The terms " marcha abajo" and " marcha arriba" describe different energy levels or sections within the montuno.
Lees meer >In timba (a Cuban music style related to salsa, but with stronger influences from funk,
Afro-Cuban rhythms, and jazz), a " masacote" typically refers to a powerful, rhythmic burst in the music.
Itās a short, intense moment where the instrumentation ā especially the rhythm section ā becomes extra groovy, syncopated, or funky.
Lees meer >The terms "marcha abajo" and " marcha arriba" describe different energy levels or sections within the montuno.
Lees meer >
- Coro = the Choir, sings a repeating phrase.
- Pregón = the lead singer sings varying or improvised lines
Lees meer >Introducción
This is the opening section of the song, which sets the mood and introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
Piano
Origins
Inventor: Bartolomeo Cristofori (1655ā1731), an Italian instrument maker in Florence.
Date: Around 1700, Cristofori built the first instrument he called a āgravicembalo col piano e forteā ā meaning harpsichord with soft and loud.
Reason for invention: Harpsichords (the main keyboard instrument of the 1600s) could not vary loudness by touch. Cristofori solved this by using hammers to strike strings instead of plucking them.
Mechanism: When a key was pressed, a felt-covered hammer struck the string, producing sound with dynamics depending on how hard or softly the key was played.
Timba, the explosive and rhythmically rich genre of Cuban dance music, transformed how the bass functions in popular music. In Timba, the bass is not just foundational ā itās fiery, funky, and free.
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