Pancho Amat
Cuba's leading contemporary tres master — Pancho Amat has spent his career expanding the expressive range of the tres while keeping it rooted in the Afro-Cuban son tradition.
About
Pancho Amat is widely regarded as the finest living Cuban tres player. Working within both traditional son formats and more contemporary contexts, he has developed a voice on the instrument that honors its historical roots while demonstrating its contemporary possibilities.
He has recorded and performed with a wide range of Cuban artists and has been instrumental in raising the profile of the tres as an instrument worthy of serious attention. His work demonstrates that the tres can function as a solo voice, not just a rhythmic-harmonic accompaniment instrument.
Cuba is the largest island in the Caribbean and the birthplace of some of the world's most influential music and dance traditions. African, Spanish, and French cultural streams collided here over centuries of colonial history, producing an extraordinary creative culture that exported itself across the globe.
Lees meer >The Casa de la Trova in Santiago de Cuba is the spiritual home of Cuban traditional music — Son, Bolero, Changüí, and Trova. Founded in 1968 on Calle Heredia in the heart of Santiago's historic center, it has been the gathering place for the city's musicians for over half a century.
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The tres is a Cuban guitar-like instrument with three pairs (courses) of strings. It is the defining melodic-rhythmic instrument of son cubano and its ancestor genres.
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