Palo pa la campana - Tromboranga
Salsa is over het algemeen makkelijker te begrijpen dan timba, waardoor dit een handig startpunt is.
Hoewel dit een salsa nummer is in plaats van timba, heb ik het hier opgenomen omdat JoaquÃn Arteaga — timbalero en bandleider van het salsa orkest Tromboranga — een YouTube video heeft gepost waarin hij de muzikaliteit en basisstructuur van "Palo pa' la campana" uitlegt.
0:00.0s
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[0:00-0:21] Intro: Blazers spelen de intro-melodie terwijl de ritmesectie een salsa-groove speelt.
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[0:21-0:31] Bridge: Ritme verandert naar Oriza-ritme.
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[0:31-0:50] Couplet: Zanger begint het verhaal van het lied te vertellen.
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[0:50-1:00] Bridge: Ritme verandert opnieuw naar Oriza-ritme.
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[1:00-1:19] Couplet gaat verder: Zanger gaat verder met het verhaal (terug naar salsa-ritme).
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[1:19-1:29] Bridge
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[1:29-2:08] Couplet gaat verder: Zanger gaat verder met het verhaal (terug naar salsa-ritme).
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[2:08-2:17] Bridge
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[2:17-2:27] Montuno-sectie
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[2:27-2:46] Mambo-sectie: Begint met piano en bas.
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[2:46-2:57] Korte bridge: Piano speelt een constante guajeo.
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[2:57-3:34] Bongobelsolo: Piano blijft een constante guajeo spelen.
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[3:34-5:10] Tweede mambo: Met koor erbovenop.
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[5:10-5:29] Tweede montuno
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[5:29-5:48] Einde & Coda: Met Oriza-ritme, koor en inspirerende sonero.
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[5:48-6:24] Aftiteling
Joaquin Arteaga "Palo pa la campana uit"
Songtekst video
Couplet
The canto, or verse, is where the lead vocalist sings the main lyrical content of the song.
In Timba, the canto often contains a narrative or thematic element and is supported by the rhythm section and background vocals.
Couplet
The canto, or verse, is where the lead vocalist sings the main lyrical content of the song.
In Timba, the canto often contains a narrative or thematic element and is supported by the rhythm section and background vocals.
Couplet
The canto, or verse, is where the lead vocalist sings the main lyrical content of the song.
In Timba, the canto often contains a narrative or thematic element and is supported by the rhythm section and background vocals.
Couplet
The canto, or verse, is where the lead vocalist sings the main lyrical content of the song.
In Timba, the canto often contains a narrative or thematic element and is supported by the rhythm section and background vocals.
Outro (Coda)
The conclusion of the song, which often mirrors the intro">intro or brings the song to a close with a final statement by the band.
intro">
Introducción
This is the opening section of the song, which sets the mood and intro">introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
intro">
Introducción
This is the opening section of the song, which sets the mood and introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
Outro (Coda)
The conclusion of the song, which often mirrors the intro">intro or brings the song to a close with a final statement by the band.
intro">
Introducción
This is the opening section of the song, which sets the mood and intro">introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
intro">
Introducción
This is the opening section of the song, which sets the mood and introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
Introducción
This is the opening section of the song, which sets the mood and introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
Introducción
This is the opening section of the song, which sets the mood and introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
Dit gedeelte wordt gekenmerkt door een meer open en interactief deel van het lied, waar er een dialoog is tussen de zang en de instrumentalisten, wat leidt tot een meer geïmproviseerd gevoel. De montuno is typisch gebouwd op repetitieve piano- en baspatronen en kan call-and-response zang bevatten.
Lees meer >Mambo
In Cuban music, especially in salsa and son,
the "mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.
Mambo
In Cuban music, especially in salsa and son,
the "mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.
Bongo
A pair of small drums played with fingers and palms.
