Coro-Pregón
- Coro = the Choir, sings a repeating phrase.
- Pregón = the lead singer sings varying or improvised lines
- Coro = the choir (usually the coristas and sometimes brass) sings a repeating phrase.
- Often short, catchy and easy to remember.
- Musically stable, so that the dancers and listeners have a hold.
- Pregón = the lead singer sings varying or improvised lines between the coros.
- Can textually respond to the coro, add stories, or address the audience.
- Often rhythmically freer and melodically looser.
Example in timba
Coro: “No me pare, sigue sigue”
Pregón: “¡Así mismo, mi gente, vamos pa’lante!”
The choir remains the same, while the pregón changes constantly — this makes it a call-and-response.
Important:
In timba, coro–pregón is almost always on top of a montuno section.
- The montuno is the musical bedding (piano, bass, percussion).
- The coro–pregón is the vocal interaction above it.
- Coro = the Choir, sings a repeating phrase.
- Pregón = the lead singer sings varying or improvised lines
Lees meer >
- Coro = the Choir, sings a repeating phrase.
- Pregón = the lead singer sings varying or improvised lines
Lees meer >This section is characterized by a more open and interactive part of the song, where there is a dialogue between the vocals and the instrumentalists, leading to a more improvised feel. The montuno is typically built on repetitive piano and bass patterns and may include call-and-response singing.
Lees meer >